By the way, a quick apology for doing a post about how I’m going to post regularly then nothing for over a week. Life interfering again! 😉

A couple of weeks ago I joined the Society of Children’s Book Writers and Illustrators. That’s quite a mouthful so it’s SCBWI [Scooby, as in the cartoon dog. You see what I did with the post title now?] for short.

It’s something I’ve been meaning to do for quite a while, but since I admitted to myself that I really wanted to write for children more than anything else, it became a much higher priority. And already I think it could be one of the best things I’ve ever done, career-wise.  Continue reading “SCBWI Do”

I Have a Dream…

Do you know what I would really like? What would be amazing and brilliant and fantastic and… ok, ok I’ll get on with it.

A North East Writing Festival. Yes, I know there’s one in York in March, but hear me out, please?

I’m not in the poorest bracket of people in the country, in many ways I’m very lucky. But we’re a one-salary household with two small children, and I just do not have the money to go to something as wonderful as York Festival of Writing. I wanted to, but that’s the way the cookie (or stale bread crust, cue the violins) crumbles. And York is probably my closest option – something like Oxford or Get Writing in Hertfordshire are out of the question; even if the conference / workshop fees were in my range, the cost of actually getting there would make it simply impossible. That’s only going to get worse, since fuel prices are creeping – no, not creeping, soaring up.

The thing is, I always knew that. I always knew that there were wonderful conferences and events where you had the option of workshops and meeting authors and suchlike, and I always assumed that they cost what to our family is a small fortune. I’m not totally unreasonable, I completely agree that anyone agreeing to lead the workshops etc needs to be paid and needs to have their expenses covered. But last year I got a shock. I was on Twitter (I know, what a shocking revelation) and I happened to notice Nicola Morgan tweet that one of her workshops in the Edinburgh Book Festival still had some spaces (btw if you don’t follow Nicola on Twitter or at her blog, do. Incredibly useful.). Out of daftness I clicked through to see how much it was and nearly fell off my seat – I can’t remember the price but it was something like £5. £5?! For a workshop with a prolific and talented author? And as I looked through the Festival programme all the workshops seemed to be the same sort of price. That’s it, I was off…until I saw that the travel and accommodation put it back out of reach. I couldn’t afford the train and the National Express times meant I would have to stay in Edinburgh overnight.

So imagine my excitement when I heard about the York Festival! I assumed it was the same sort of idea, but, y’know, in York. Sadly for me, it’s not; it’s the sort of thing I would have imagined before seeing the Edinburgh events. And I do not for one minute think it’s not worth every penny – believe me, if I had the money I’d have been booked as soon as the tickets went on sale. Every event looks amazing, nearly every facilitator is someone I’d be over the moon to meet, and one day, one day, I will go. But it doesn’t change the fact that I can’t, and I assume there’s a canny few who are in the same boat. Excuse the colloquialism, I’m getting to the North East bit now…

My dream, then, is to have a North East Festival of Writing, or Books, or Literature – however you want to describe it. Along the same lines as Edinburgh – individual workshops. The thing is, there are loads of talented writers around here but we are a relatively deprived part of the UK and we are a relatively neglected part of the UK. Here’s my, er, manifesto:

The NE Festival would be:

  • accessible: venues in Newcastle City Centre; perhaps also in Durham or Teesside. But Newcastle has such good transport links it is the most feasible.
  • varied: I envisage events with authors, publishers and agents, covering submissions, writing tips, Q&A, book signings, critiques…
  • sociable: alongside the individual events I’d have picnic lunches for participants (giving the speakers some rest time!) and extra dinners on Friday and Saturday night
  • affordable: my rough idea would be a blanket charge to cover entry to 3 days of events and two social dinners (“networking opportunities”!) BUT because that would be a substantial fee, I’d also charge a small amount per individual event – maybe up to £10 – and per social, so you could kind of mix and match your own Festival based on your budget. And people bringing a picnic lunch, for example, would keep costs down too.
  • locally-biased: I wouldn’t include accommodation in the overall fee. This would mean that a)prices were kept down as much as possible and b)more local writers were encourage to come. Although if any hotels wanted to do a deal and discount prices for attendees I wouldn’t say no…
  • fair: I’d cover all fees and expenses of the attending speakers. Well, not me personally. You know what I mean.

Now obviously, it’s a HUGE ask. I really do think it would be worthwhile though – I think a lot of writers from the North East would jump at the chance to go to such a Festival; or, of course, from anywhere in the country – you’d just have to sort yourselves out with a bed for the night. Ooh, or we could make it the Glastonbury of writing, and have people camp out, with a big marquee for events… *mind off on another track*

Ahem. Anyway, I’m off to research charitable trusts for the Arts to see if I can persuade anyone to fund this brainwave. Wouldn’t it be good, though? What would you put in, if you were organising the line-up? Any thoughts? But the first person to say it’ll never happen gets a rotten tomato thrown at them. A girl can dream…